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Officially, church historians recognize seven ecumenical church councils held between A.D. 325 and A.D. 787. The first, the First Council of Nicaea, met to agree on the nature of Jesus of Nazareth as both Son of God and Son of Man, as both fully divine and fully human.
The present-day portion of Jigsaw takes place roughly ten years after John's death in Saw III. When a new Jigsaw game leaves several people dead, the police come to believe that either John has been resurrected, or a Jigsaw copycat is involved. It is eventually revealed that Logan Nelson is the new Jigsaw Killer, and that he recreated the game he was once part of using new victims. At the end of the film, Logan abducts corrupt detective Brad Halloran and kills him as revenge for him being indirectly responsible for the death of Logan's wife. Having successfully framed Halloran as the killer, Logan escapes and is free to continue Jigsaw's work.
No, the Ravel works I'm giving the warnings for are protected in the USA for a full 95 years after the year of first publication. Bolero, for example, was first published in 1929. It will be under copyright in the USA until a full 95-year term has passed, not entering the public domain until Jan. 1, 2025. The source of all this confusion lies with the method used in determining copyright term, Until 1978, the date of publication was used as the basis for starting the term. The life-plus-70 provisions apply only to works created or published after Jan. 1, 1978. All pre-1978 works are governed under terms based upon the 1909 law (as modified).--Carolus, 28 December 2006 (EST)
I would like to ask if I can scan a copy that was once published by Dover but now discontinued, which is Symphonies no. 8 and 9 in full orchestral score (1978), a republication of an Eulenburg edition edited by Max Unger (I think around the 1920s). I can't quite get the ISBN for the score, but I found a close one in this:
(a) Schematics of the sectioned structure and (b) the full cross-sectional model of the Lamb-wave acoustofluidic device with a rectangular water channel enclosed in PDMS. The device substrate is a 128Y-X LiNbO3 plate with a thickness hLN, and two sets of IDTs having periodic electrode configurations are deposited on its top surface.
The microchannel to accommodate the microfluidic flow was fabricated using the replica molding method . The monolithic master mold was created using stereolithographic 3D printing. After fully UV light curing to firm the master mold, a mixture of a PDMS base and curing agent (Sylgard 184, Dow Corning, Midland, MI, USA) at a ratio of 10:1 w/w was poured into the master mold to cast the microchannel structure by complying with a standard degassing and solidifying process. Finally, the PDMS replica of the microchannel was accurately combined with the Lamb-wave device to form the Lamb-wave acoustofluidic device. It is worth noting that the surface roughness could be an overall issue to influence the optical quality (transparency) of the PDMS channel as we adopt the 3D printing technique for the master mold fabrication. The issue can be improved if we adopt the conventional photolithographic and deep-etching technology on a silicon wafer to fabricate the master mold for the replica molding of the PDMS channels. However, the photolithographic and deep-etching processes increase the fabrication complexity and cost.